Re: Community thread

Originally Posted by
mezmorized
To be fair the showrunner still has final say over EVERYTHING, from the words in the script to the color of their clothes. Everything goes through the showrunner regardless of the fact that the writers room changes. Not to mention as it was eluded to above, many showrunners re-write the hell out of scripts, without crediting themselves.
Oh, I'm not saying that the showrunner doesn't apply the final coat of paint or whatever to the script. And trust me, I know Harmon was re-writing or authorizing rewrites -- in fact, a lot of rewrites, during production, to the point that production was regularly delayed in Season 3. The rewrites are one of the main reasons the show went over budget.
But yeah, I'm not saying any of this to criticize Dan Harmon or diminish his role in the series. He did about as much as it is possible for a head writer to do in the American television format (as opposed to something like Louie -- which I know some of you like, and I like Louis CK's stand-up, so I don't want to argue over it or anything -- or a British comedy where it's plausible for the same person or two-person team to write an entire six-episode season). But that still amounts to... maybe 25% of the day-to-day writing? And, of course, the vast majority of the original premise. (But the premise was developed from that sketch in the writer's room by a bunch of people. And they still have the premise now -- they don't suddenly lose the groundwork of the first three seasons.) Either way, most of what got on the screen was things that Harmon polished a little or just signed off on.
This is not even taking into account what happens to the scripts after they get out of the writer's room -- on Community, the credited writer for an episode is sent to set to supervise production, but they tend to stay pretty hands-off in my experience. (Sometimes, they might correct a line reading or offer an alternate scene ending. That kind of thing.) And I am given to understand that Harmon supervised the editing to some extent, though who really knows what happens in post-production?
I mean, what I'm saying is, television -- especially 22-episode network television -- is not a medium where auteur theory has any place or makes the slightest bit of sense. You can go on believing that your favorite shows spring fully formed from the brain of a single person, but that is kind of a dumb thing to think, and you shouldn't be surprised when people who actually work in television point out that it's kind of a dumb thing to think. Not even saying you're a dumb person -- I'm sure you're not. I'm sure I think some things that are pretty dumb too, and I don't even know they're dumb.
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